Two truths are told, / As happy prologues to the swelling act / Of the imperial theme.—
Act I, Scene 3 · Macbeth
Context
Macbeth, in an aside after learning he is now Thane of Cawdor (confirming the witches' second prophecy), reflects that two prophecies have come true and views them as the opening scenes of a drama leading to kingship.
Analysis
The theatrical metaphor—"prologues to the swelling act"—reveals Macbeth already imagining his life as a scripted play moving toward a predetermined climax, with himself as the protagonist. The word "swelling" suggests something growing inevitably toward fullness or climax, carrying both grandeur ("imperial theme") and a faint hint of dangerous inflation. By thinking in dramaturgical terms, Macbeth unconsciously casts himself as an actor following a script rather than an agent making choices, which is exactly the mindset that will let him rationalize murder as fate.
Essay Tip
Support a thesis that Macbeth's use of theatrical language here shows he's already surrendering agency—by framing events as a play with acts and a theme, he positions himself as performing a role rather than authoring his actions, which becomes his excuse for every atrocity that follows.