What should be spoken here, where our fate, / Hid in an auger hole, may rush, and seize us? / Let’s away. Our tears are not yet brew’d.
Act II, Scene 3
Context
Donalbain, speaking quietly to his brother Malcolm after their father's murder, questions why they should speak publicly when hidden danger might strike them next, and notes they haven't had time to grieve properly yet.
Analysis
The image of fate 'hid in an auger hole' uses the language of carpentry (an auger is a drill for boring small holes) to suggest that danger is hidden in tiny, invisible spaces. This specificity makes the threat feel immediate and domestic rather than grand—danger isn't a battlefield army but something concealed in the architecture around them. The metaphor of tears 'not yet brew'd' treats grief as something that takes time to prepare, like ale, which positions Donalbain as someone who understands that the performative mourning happening around him is false because real feeling hasn't had time to develop.
Essay Tip
Use this to argue that Malcolm and Donalbain are the play's sharpest readers of performance—Donalbain's metaphor of tears that need brewing shows he recognizes that everyone else's immediate grief is fake, and his auger-hole image reveals he knows the real threat is hidden in plain sight, likely among the people now performing sorrow.