The sleeping and the dead / Are but as pictures. ’Tis the eye of childhood / That fears a painted devil.
Act II, Scene 2 · Lady Macbeth
Context
Lady Macbeth dismisses her husband's fear of returning to Duncan's chamber with the daggers. She argues that the dead cannot harm them and that only children are frightened by images that are not real.
Analysis
Lady Macbeth equates the dead body with a "painted devil"—a mere representation that poses no actual threat—and her contemptuous phrase "the eye of childhood" dismisses fear as immature. Her rhetoric attempts to strip the murder of moral weight by reducing it to a problem of perception, as if courage simply means seeing correctly. Yet the metaphor accidentally reveals the play's larger concern: whether guilt is just a trick of perception or a real stain.
Essay Tip
Use this to argue that Lady Macbeth's rationalist dismissal of guilt as childish fear is Shakespeare's way of setting up her breakdown—by framing moral horror as mere optical illusion, she denies the psychological reality that will later destroy her when she cannot wash away imaginary bloodstains.