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Speaking the future farm into being one last time as a verbal anesthetic, George constructs a vision of a world where no one will hurt anyone.

The triple negative construction ('no more trouble. Nobody gonna hurt nobody nor steal') paradoxically populates the imagined utopia with the very harms it disclaims, since each prohibition names the act it forbids. The dramatic irony reaches near-Sophoclean density: George describes a world without violence in the seconds before he commits the chapter's defining violence, and the prophecy is technically fulfilled—Lennie will indeed never be hurt by anyone again, in the most absolute sense.

Support a thesis that Steinbeck's pastoral language conceals violence by negation rather than absence—this line shows how the American Dream is articulated through what it refuses to acknowledge, with the form of the negation itself betraying the violence it claims to exclude.