Hamlet
Scene #9 · Act IV, Scene 5
Ophelia enters dressed fantastically with straws and flowers, singing fragmented songs about death and lost love. She distributes symbolic flowers to those present: rosemary for remembrance, pansies for thoughts, fennel and columbines, rue (herb of grace) for different recipients, and mentions a daisy while noting that violets withered when her father died. Her brother Laertes witnesses her madness with anguish, remarking that her insanity would move him more powerfully than rational persuasion toward revenge. She exits singing a final song about her father's white beard and death, leaving Laertes devastated.
Ophelia's complete mental breakdown demonstrates the destructive consequences of the court's corruption and violence, particularly on innocent victims. The symbolic flower distribution reveals her fragmented understanding of betrayal, lost innocence, and grief while simultaneously communicating truths about those around her that she cannot speak directly. Her madness intensifies Laertes's rage and desire for vengeance, setting in motion the final tragic confrontation of the play.
There's rosemary, that's for remembrance; pray love, remember. And there is pansies, that's for thoughts.
Act IV, Scene 5 · Ophelia
Lord, we know what we are, but know not what we may be.
Act IV, Scene 5 · Ophelia
Thought and affliction, passion, hell itself / She turns to favour and to prettiness.
Act IV, Scene 5 · Laertes
O rose of May! / Dear maid, kind sister, sweet Ophelia! / O heavens, is’t possible a young maid’s wits / Should be as mortal as an old man’s life?
Act IV, Scene 5 · Laertes
He is dead and gone, lady, / He is dead and gone, / At his head a grass green turf, / At his heels a stone.
Act IV, Scene 5 · Ophelia