Metaphor Quotes in Jane Eyre

To me, he was in reality become no longer flesh, but marble; his eye was a cold, bright, blue gem; his tongue a speaking instrument—nothing more.

I felt how—if I were his wife, this good man, pure as the deep sunless source, could soon kill me, without drawing from my veins a single drop of blood, or receiving on his own crystal conscience the faintest stain of crime.

Reader, do you know, as I do, what terror those cold people can put into the ice of their questions? How much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure?

The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands—it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body.

You are no ruin, sir—no lightning-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop.

If she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mine.

I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest—blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh.

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks.

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader. you must fancy you see a room in the George Inn at Millcote

I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better.