The Great Gatsby
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Scene Analysis
At Gatsby's extravagant party where Nick meets Gatsby for the first time, Fitzgerald depicts a spectacle of excess and anonymity. Analyze how Fitzgerald uses this scene to reveal the hollowness beneath Gatsby's carefully constructed world. Explain how it contributes to the meaning of the work as a whole.
Quote 1
“In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.”
Chapter 3
Quote 2
“When the "Jazz History of the World" was over, girls were putting their heads on men's shoulders in a puppyish, convivial way, girls were swooning backward playfully into men's arms, even into groups, knowing that someone would arrest their falls—but no one swooned backward on Gatsby, and no French bob touched Gatsby's shoulder, and no singing quartets were formed with Gatsby's head for one link.”
Chapter 3
Quote 3
“Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own ticket of admission.”
Chapter 3
Quote 4
“It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”
Chapter 3
Quote 5
“And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes—a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.”
Chapter 9