I think that voice held him most, with its fluctuating, feverish warmth, because it couldn't be over-dreamed—that voice was a deathless song.

"This is a terrible mistake," he said, shaking his head from side to side, "a terrible, terrible mistake."

"I'm glad, Jay." Her throat, full of aching, grieving beauty, told only of her unexpected joy.

The exhilarating ripple of her voice was a wild tonic in the rain. I had to follow the sound of it for a moment, up and down, with my ear alone, before any words came through.

Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air.

His parents were shiftless and unsuccessful farm people—his imagination had never really accepted them as his parents at all.

"She never loved you, do you hear?" he cried. "She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!"

Her expression was curiously familiar—it was an expression I had often seen on women's faces, but on Myrtle Wilson's face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife.

She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago.

"Even alone I can't say I never loved Tom," she admitted in a pitiful voice. "It wouldn't be true."